![]() ![]() Koozhangal, the main city, and the part that leads to the Western Ghats. Its vastness can be divided into three: the barren landscape that you see in You get to see a lot of images around Madurai that tell you a certain story. I would say the shooting atmosphere was what drew me into cinema. At that age, what fascinated me the most was the jimmy-jib camera that was carrying the cinematographer. ![]() I remember visiting the film shoots that were happening in Madurai in the 2000s - from ![]() Įdited excerpts: What are your earliest memories of cinema? I am not sure if folks at Rotterdam got the film, but those grannies did,” says the filmmaker.Īlso Read: Get 'First Day First Show', our weekly newsletter from the world of cinema, in your inbox. When I showed the rough cut to the old women of our village, they reacted in a way that gave me the most satisfaction. She has seen the film and she really liked it. I was conscious not to hurt anybody involved because I knew my sister and her husband would end up together again. Mined out of an incident that happened to his younger sister, whose alcoholic husband shut the doors on her, making her walk back over 13 kms to her village with a toddler in arms, Vinothraj calls such incidents “an everyday occurrence” in his village. Vinothraj admits that the film came from a place of anger. Through their laboriously endless walk, PS Vinothraj paints a stunning yet bleak picture of the lives their anger that arises from the inability to break out of their poverty-ridden state, in a drought-hit village in Arittapatti, Madurai. Tamil film ‘Koozhangal’ is India’s official entry to the Oscars 2022
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